Lesson 1
chinese calligraphy
A
Concise Course of Chinese Calligraphy 1
CCCC Sample lesson 1, 人, 大
CCCC
Sample lesson 6, 土
CCCC
Sample lesson 7, paper
CCCC
Mr. Jiang teaches Chinese calligraphy 4
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Lesson 2 chinese
paintings
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Lesson 3
English calligraphy
low
case
Calligraphy for Lowercase Letters A through G
Calligraphy for Lowercase Letters H through P
Calligraphy for Lowercase Letters P through Z
CAPITAL
Calligraphy for Capital Letters A through G
Calligraphy for
Capital Letters H through P
Calligraphy
for Capital Letters Q through Z
writing
Calligraphy
Letters: Capital B
Calligraphy
Tips: Holding Flat Brushes
Writing
Upper Case G-L in Calligraphy
Writing
Upper Case S-Z in Calligraphy
Writing
Complete Words in Cursive Italic Calligraphy
Writing
Numbers & Punctuation in Calligraphy
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Lesson 4
Five Main
styles of Chinese character calligraphy art
The are five main styles in Chinese
Calligrahy art. They are small seal scipt/ style, official/clerical script,
Semi-cursive script (Running Script), Cursive script (Grass Script), and
Formal/Regular Script (Standard Script).
From the seal script was derived the clerical script; and from the clerical
script were derived both the regular script and the cursive scripts.
Characters are often written in ancient
variations or simplifications that deviate from the modern standards used in
Chinese, Japanese, or Korean. Modern variations or simplifications of
characters, akin to Chinese Simplified characters or Japanese shinjitai, are
occasionally used, especially since some simplified forms derive from cursive
script shapes in the first place.
The Japanese syllabaries of katakana and
hiragana are used in calligraphy; katakana were derived from regular script
shapes and hiragana from characters in the cursive script. In Korea, the
post-Korean War period saw the increased use of hangul, the Korean alphabet, in
calligraphy.
Seal Script
The Seal Script (often called Small Seal Script) is the formal script of the Qin
system of writing, the informal script of which was precursor to the Clerical
Script. Seal script is the oldest style that continues to be widely practiced.
Today, this ancient style of Chinese writing is used predominantly in seals,
hence the English name. Although seals (name chops), which make a signature-like
impression, are carved in wood, jade and other materials, the script itself was
originally written with brush and ink on paper, just like all other scripts.
Most people today cannot read the seal script, so
it is generally not used outside the fields of calligraphy and carved seals.
However, because seals act like legal signatures in Chinese culture, Korean
culture, and Japanese culture, and because vermillion seal impressions are a
fundamental part of the presentation of works of art such as calligraphy and
painting, seals and therefore seal script remain ubiquitous. (
more about seal script...
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Clerical/Official Script
The Clerical Script (often simply termed lìshū; and sometimes called Official,
Draft or Scribal Script) developed from the Seal Script. In general, characters
are often "flat" in appearance, being wider than they are tall. The strokes may
appear curved and with variations in width. Most noticeable is the dramatically
flared tail of one dominant horizontal or downward-diagonal stroke, especially
that to the lower right. This characteristic stroke has famously been called
'silkworm head and wild goose tail' (蠶頭雁尾
cántóu yànwěi)in
Chinese due to its distinctive shape.
The archaic Clerical Script of the Chinese
Warring States period to Qin Dynasty and early Han Dynasty can often be
difficult to read for a modern East Asian person, but the mature Clerical Script
of the middle to late Han dynasty is generally legible. Modern works in the
Clerical Script tend to use the mature, late Hàn style, and may also use
modernized character structures, resulting in a form as transparent and legible
as Regular (or standard) Script. The Clerical Script remains common as a
typeface used for decorative purposes (for example, in displays), but it is not
commonly written. (More
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Semi-cursive Script
The Semi-cursive Script (also called Running Script,
行書)
approximates normal handwriting in which strokes and, more rarely, characters
are allowed to run into one another. In writing in the Semi-cursive Script, the
brush leaves the paper less often than in the Regular Script. Characters appear
less angular and rounder.
In general, an educated person in China or Japan
can read characters written in the Semi-cursive Script with relative ease, but
may have occasional difficulties with certain idiosyncratic shapes. (
More about Semi-cursive Style ...
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Cursive Script
The Cursive Script (sometimes called Grass Script,
草書)
is a fully cursive script, and a person who can read the Semi-cursive Script
cannot be expected to read the Grass Script without training. Entire characters
may be written without lifting the brush from the paper at all, and characters
frequently flow into one another. Strokes are modified or eliminated completely
to facilitate smooth writing and to create a beautiful, abstract appearance.
Characters are highly rounded and soft in appearance, with a noticeable lack of
angular lines.
The Cursive Script is the source of Japanese
hiragana, as well as many modern simplified forms in Simplified Chinese
characters and Japanese shinjitai. (
More about Cursive Style..
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Regular Script
The Regular Script (often called standard script
or simply kǎishū) is one of the last major calligraphic styles to develop,
emerging between the Chinese Han dynasty and Three Kingdoms period, gaining
dominance in the Southern and Northern Dynasties, and maturing in the Tang
Dynasty. It emerged from a neatly written, early period semi-cursive form of
clerical script. As the name suggests, the Regular Script is "regular", with
each of the strokes placed slowly and carefully, the brush lifted from the paper
and all the strokes distinct from each other.
The Regular Script is also the most easily and
widely recognized style, as it is the script to which children in East Asian
countries and beginners of East Asian languages are first introduced. For
learners of calligraphy, the Regular Script is usually studied first to give
students a feel for correct placement and balance, as well as to provide a
proper base for the other, more flowing styles.
In the Regular Script samples to the right, the
characters in the left column are in Traditional Chinese while those to the
right are in Simplified Chinese. (
More about Regular Script... )
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Lesson 5 tba
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Lesson6
tba
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Lesson 7
tba
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Lesson 8 TBA
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Lesson 9
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Lesson 10 TBA
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